Publications

Publications of our research project and its members include:

Motrescu-Mayes, A. & S.I. Aasman (2019) Amateur Media and Participatory Cultures: Film, Video, and Digital Media. Routledge.

Aasman, S.I., A. Fickers & J.C.M. Wachelder (eds.) (2018) Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic.

Aasman, S.I., A. Fickers & J.C.M. Wachelder (2018) ‘Introduction’. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.1-15.

Van der Heijden, T. (2018) ‘Hybrid Histories: Historicizing the Home Movie Dispositif‘. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.35-50.

Fickers, A. (2018) ‘How to grasp historical media dispositifs in practice?’. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.85-99.

Wachelder, J.C.M. (2018) ‘Belated Screenings of Home Movies: Biographical Storytelling and Generational Referencing’. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.103-120.

Aasman, S.I. (2018) ‘Becoming YouTube’s Grandad: Media, Age, and Generation in a Virtual Community’. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.151-165.

Slootweg, T. (2018) ‘Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices’. In: Susan Aasman, Andreas Fickers & Joseph Wachelder (eds.), Materializing Memories: Dispositifs, Generations, Amateurs. New York: Bloomsbury Academic, pp.203-216.

Van der Heijden, T. (2018) ‘Ein trend spult die Zeit züruck. Die große Retro-Lust.’ [Interviewed by Clemens Panagl]. In: Salzburger Nachrichten, Austria, 26 May, 2018. URL: https://www.sn.at/kultur/allgemein/ein-trend-spult-die-zeit-zurueck-28301230.

Van der Heijden, T. & T. Slootweg (2018) ‘Historicizing Home Movie Practices: Two Complementary Perspectives‘. In: EUscreen blog, 7 May, 2018. URL: http://blog.euscreen.eu/2018/05/historicizing-home-movie-practices-two-complementary-perspectives/.

Slootweg, T. (2018) Resistance, Disruption and Belonging: A Media Historical Exploration of Electronic Video and Amateurs in Three Modes. PhD thesis, University of Groningen.

Van der Heijden, T. (2018) Hybrid Histories: Technologies of Memory and the Cultural Dynamics of Home Movies, 1895-2005. PhD thesis, Maastricht University.

Aasman, S.I. & T. Slootweg, (2017) ‘Een zeer korte videogeschiedenis‘. In: Tijdschrift voor Mediageschiedenis, vol. 20, no. 1, pp 115-121.

Slootweg, T. (2017) ‘Van sociale naar ‘antisociale’ media? Over de nalatenschap van het Haagse videocollectief ‘Meatball’ (1972–1993) in een gesprek met Rien Hagen en Cesar Messemaker‘. In: Tijdschrift voor Mediageschiedenis, vol. 20, no. 1, pp. 141-148.

Aasman, S.I. & T. Slootweg, (2017) ‘Hybride beheer van een hybride medium: Over de rol van het LIMA in het behoud van videokunst in een gesprek met Gaby Wijers‘ In: Tijdschrift voor Mediageschiedenis, vol. 20, no. 1, pp. 157-163.

T. van der Heijden (2017), interviewed by Lukas Plank on Matrix: Computer & Neu Medien, Austria 1 radio/ORF, 8 January 2017

J.C.M. Wachelder (2016), ‘Regeneration: Generations Remediated’. In: Time & Society 0(0), pp.1-21, doi:10.1177/0961463X16678253.

S.I. Aasman (2016) ‘The Introduction of Ciné-Kodak: “The Long-Awaited Answer”‘. In: Giovanna Fossati & Annie van den Oever (eds.), Exposing the Film Apparatus: The Film Archive as Research Laboratory. Amsterdam: Amsterdam University Press & EYE Filmmuseum, pp.119-129.

T. Slootweg (2016) ‘Imagining the User of Portapak: Countercultural Agency For Everyone!’. In: Giovanna Fossati & Annie van den Oever (eds.), Exposing the Film Apparatus: The Film Archive as Research Laboratory. Amsterdam: Amsterdam University Press & EYE Filmmuseum, pp. 177-188.

T. van der Heijden (2015) Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies. In: NECSUS – European Journal of Media Studies. Vol.4, No.2, pp. 103-121.

T. Slootweg & S.I. Aasman (2015) ‘Democratic Television in the Netherlands. Two Curious Cases of Alternative Media as Counter-Technologies‘. In: View. Journal of European Television, History & Culture. Vol. 8, No. 7, pp. 21-37.

T. Slootweg (2015) ‘Amateur Filmmaking. The Home Movie, the Archive, the Web‘ [review]. In: Tijdschrift voor Mediageschiedenis (Dutch Journal for Media History). Vol. 18, No. 1, pp. 119-121.

A. Fickers (2015) ‘Hands-on! Plädoyer für eine experimentelle Medienarchäologie‘. In: Technikgeschichte. Vol. 82, No. 1, pp. 67-85.

S.I. Aasman. (2014), ‘New Media Technologies and the right to Broadcast Yourself’. In: M. Broersma & C. Peters (eds.) Retelling Journalism Conveying Stories in a Digital Age. Leuven-Paris-Walpole, MA: Peeters, pp. 47-64.

J.C.M. Wachelder (2014) ‘Toys, Christmas Gifts and Consumption Culture in London’s Morning Chronicle‘. In: Journal of the International Committee for the History of Technology, Vol. 19, pp. 13-32.

S.I. Aasman (2014) “Saving Private Reels? Archiving user generated content (formerly known as home movies) in the digital age”. In: Rascaroli, Laura, Young, Gwenda and Monahan, Barry (eds.), Amateur Filmmaking the Home Movie, the Archive, the Web. New York: Bloomsbury Academic.

T. van der Heijden & S.I. Aasman (2014) ‘“Hare Majesteit de Smalfilm” – The making of de vroege amateurfilm(er)‘. In: Tijdschrift voor Mediageschiedenis (Dutch Journal for Media History). Vol. 17, No. 1, pp. 7-26.

T. van der Heijden (2014) ‘“Voor ik vergeet”. Spinvis en het potentieel van reflexieve technostalgie‘. In: A. Andeweg & L. Wesseling (eds.), Wat de verbeelding niet vermag! Essays bij het afscheid van Maaike Meijer. Nijmegen: Vantilt, pp. 130-135.

A. Fickers & A. van den Oever (2013) ‘Experimental Media Archaeology: A Plea for New Directions‘. In: A. van den Oever (ed.). Technē/Technology Researching Cinema and Media Technologies – Their Development, Use, and Impact. Amsterdam: Amsterdam University Press, pp. 272-278.

J.C.M. Wachelder (2013) ‘Electro! Spelen met persoonlijke herinneringen, cultureel geheugen en geschiedenis‘. In: F. Huisman, N. Randeraad, G. Verbeeck (eds.), Geschiedenis is overal. Amsterdam: Wereldbibliotheek, pp. 122-141.

T. van der Heijden & T. Slootweg (2013) “De Familiefilm als Cultuurhistorische Bron” (blog). In: ‘Collecties Blog – Nederlands Instituut voor Beeld en Geluid‘ (08-03-2013).

S.I. Aasman (2013) : “Impossible family portraits: Users, new media technologies and the writing of amateur media history“. In: New Cinemas: Journal of Contemporary Film. Vol. 11. No. 2-3 (September).

S.I. Aasman (2012) “Smile, Wave or Blow a kiss”. Home movies and tele-technologies from the hearth“. In: S. Kmec & V. Thill (ed.), Tourists and nomads. Amateur images of migration, Jonas Verlag, pp. 161-169.